Memoir Publishing – PAMELA JANE

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5 Outstanding books for memoir writers

When compiling this list I realized that most of the recommendations are books about plotting. This makes sense because good memoirs employ a sound story structure – one similar to yet distinct from novels (more about that later). Though some of the books listed are unlikely choices for a memoir-writer’s self-help list, they have proved enduringly helpful to me. Through the years each one has become an old friend and trusted writing companion. The Weekend Novelist  by Robert J. Ray (weekendnovelist.com) The Weekend Novelist lays out a plan for completing a novel (or memoir) in 52 weekends, a strategy the author used for writing his first book while teaching during the week. But whether you are a weekday or a weekend writer, this book is a guide in that it provides a blueprint to help you articulate and direct your creative energy. (I almost said “crazy creative energy,” but I don’t want to project here.) The author’s diagram for plotting … Read on

Pamela Jane is the author of over thirty books from board books to memoir. She is also a writing coach, freelance writer, and public speaker. Learn more about her by booking a school visit, perusing her blog, or reading her memoir, An Incredible Talent for Existing: A Writer's Story.

Just Wait! A short story rejected in grade school becomes a cause of action

In elementary school, back in the 1950s, we were never given writing assignments, and I never imagined there were any living authors. I pictured a cemetery filled with tombstones of my favorite writers with their last names first, like card catalogs in the library: Baum, L. Frank 1856-1919. Writing – the pleasure of articulating interior worlds sensed but not seen – was something I did on my own. I was in eighth grade before I got a chance to write a story for school. My eighth-grade English teacher, Mr. Mortem, was a malevolent-looking man with a low brow and small beady eyes. We joked that he moonlighted as an axe murderer. But he was even scarier as an English teacher. He terrorized us with menacing-sounding exams called “evaluations,” which turned out to be ordinary multiple-choice tests. But he was the first teacher to give us an assignment to write a short story. “Remember,” Mr. Mortem called as we filed out of class, “no stories from TV!” I hardly heard him. I was … Read on

Pamela Jane is the author of over thirty books from board books to memoir. She is also a writing coach, freelance writer, and public speaker. Learn more about her by booking a school visit, perusing her blog, or reading her memoir, An Incredible Talent for Existing: A Writer's Story.

Read the First Chapter of My Memoir

beach run

In 1965, when I was eighteen, I ran away to Portland, Oregon. Running away was an act of rebellion, but also of faith. In one beautiful leap I would escape my family, my past, and the insufferable person I’d been living with for the past few years—my teenage self. This person was quite obviously screwed up. She had way too many problems. No one wanted any part of them, especially me. In Portland I could reinvent myself and leave the past behind. My brother agreed to drive me to the airport on the condition that I stop to say goodbye to my parents. So on a gray November morning, I found myself driving down the flat Midwestern streets where the silent, respectable houses stared impassively out of the dawn. We turned a corner, and my brother slowed down. There it was—the familiar red brick bungalow with my writing alcove overlooking the maple tree. My brother pulled over and turned off … Read on

Pamela Jane is the author of over thirty books from board books to memoir. She is also a writing coach, freelance writer, and public speaker. Learn more about her by booking a school visit, perusing her blog, or reading her memoir, An Incredible Talent for Existing: A Writer's Story.

Color-Coding Story Elements to Weave a Narrative

There are several ways to weave together various elements of your narrative, whether fiction or non-fiction. Begin by asking yourself the following two questions (it may help to write down the answers). Question #1. What is the main story you want to tell? In other words, what is the most important element of your story, what drives you to want to write this particular book? Once you have answered this, ask yourself: Question #2. Is there a secondary narrative, or a subplot that you would like to include. This might be a love story, a parenting or a childhood story that relates to the main narrative. Let’s say, for instance, your mom was a doctor or health worker in the hospital where you are visiting a family member; you could contrast your current story with memories of a young child in the same setting. Alternatively, you may simply pause in the narrative periodically to reflect on what you went through, or outline strategies that helped you … Read on

Pamela Jane is the author of over thirty books from board books to memoir. She is also a writing coach, freelance writer, and public speaker. Learn more about her by booking a school visit, perusing her blog, or reading her memoir, An Incredible Talent for Existing: A Writer's Story.

Dear Pamela: Worries that offering a memoir class at my church will bring up too many strong emotions

I will be posting every month from my new writing advice column, “Dear Pamela,” from womensmemiors.com. I will be answering questions about all aspects of writing, specifically memoir writing, from character development (yes memoirs do have characters, including you, the narrator!) to agent submissions. Below is a question-and-answer from the May post: Dear Pamela, “I am co-creating a memoir-writing class at our church. When this was first proposed, someone said we shouldn’t do it because writing a memoir might call up too many strong emotions from someone, presumably with difficulties in their lives, like childhood abuse or an abusive marriage or loss of a child. We are going ahead with the project, but how would you respond to such an objection, and, more importantly, how to help attendees with such challenges? I’ve always thought that writing was one of the best ways to re-address and help heal such challenges from the distance of time and perspective.” — Carol at Church … Read on

Pamela Jane is the author of over thirty books from board books to memoir. She is also a writing coach, freelance writer, and public speaker. Learn more about her by booking a school visit, perusing her blog, or reading her memoir, An Incredible Talent for Existing: A Writer's Story.

Does Your Past Hold a Key to a Great Story? 5 Elements of Experience Essential for Writing a Memoir

Every year, usually in spring or fall, I spend a few days at Mohonk Mountain House, a hotel in the Shawangunk Mountains in upstate New York. With flags fluttering from its turrets and towers, Mohonk stands like a triumph of Victorian architecture, a hymn to nineteenth century beauty and civility. But I don’t go there for the luxurious setting, or even the amenities. I go to remember. In the spring and early summer of 1972, when I was twenty-five, my first husband and I had summer jobs at Mohonk. I worked as a “flower girl” gathering lilacs and lavender from the cutting gardens, which I arranged into bouquets for the guests. It sounds idyllic, but that summer was more of a nightmare than an idyll. The truth is, I was having a nervous breakdown (to use an old-fashioned but aptly descriptive term). And though I would have loved to stay on at Mohonk that summer, to see the roses bloom … Read on

Pamela Jane is the author of over thirty books from board books to memoir. She is also a writing coach, freelance writer, and public speaker. Learn more about her by booking a school visit, perusing her blog, or reading her memoir, An Incredible Talent for Existing: A Writer's Story.

Eliciting Emotion in Your Readers: 3 Tips on Writing Highly-Charged Scenes

kiss

“When you… want to make the reader feel pity, try to be somewhat colder — that seems to give a kind of background to another’s grief, against which it stands out more clearly… The more objective you are, the stronger will be the impression you make.” – Anton Chekov Recently, I was reading a chapter of my memoir to my writing group. In one chapter, a character makes a startling confession, and my response in the book was something like, “I felt shattered.” Later, when I was reading the group’s comments on my story, I saw that Joyce, a highly perceptive critic, had written next to that passage, “I don’t feel the intensity here.” Others agreed. I thought about this for a while. Why didn’t my writing convey to readers the intensity of my emotional response? After all, I had felt shattered – or had I? I frowned, trying to remember. Did “shattered” truly describe what I had felt? Or … Read on

Pamela Jane is the author of over thirty books from board books to memoir. She is also a writing coach, freelance writer, and public speaker. Learn more about her by booking a school visit, perusing her blog, or reading her memoir, An Incredible Talent for Existing: A Writer's Story.

The Likability Factor: 5 Tips to Keep Your Readers Reading – and Coming Back for More

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Your memoir may be well-written; it may be dramatic, funny or sad, but what makes a reader fall in love with your story is you, the narrator. When I take deep pleasure in a book, especially a memoir, it’s because I enjoy the author’s company; I like hanging out with her. In politics, journalists and voters discuss a candidate’s “likability.” But what makes a narrator likable? I’ve been thinking about this, and have come up with five tips to insure that readers return to your book again and again, place it on a favorite shelf and wait impatiently for your next one to come out. 1. Write with Heart Writing with heart doesn’t mean you have to be serious, but it does mean you have to be honest with your readers. Don’t write to show how witty you are, although your wit may be wicked and add a lot to the story. It may even be the story. But writing … Read on

Pamela Jane is the author of over thirty books from board books to memoir. She is also a writing coach, freelance writer, and public speaker. Learn more about her by booking a school visit, perusing her blog, or reading her memoir, An Incredible Talent for Existing: A Writer's Story.

5 Tips for Getting Your Memoir Published in 2017

2017

This is the first of a two-part series on strategies for publishing your memoir. In this post, we’ll examine ways to find an agent or publisher, while the next post will focus on new developments in the rapidly-expanding field of self-publishing. Finding an agent or a publisher for your memoir can be a daunting task, but not an impossible one! Assuming you have revised and polished your memoir to the best of your ability, following are five tips to help you get your book into print and to your readers: 1. Agents online There are several online resources for finding agents, but I have found AgentQuery by far to be the best. As AgentQuery writes on its website: “AgentQuery.com offers one of the largest searchable databases of literary agents on the web—a treasure trove of reputable, established literary agents seeking writers just like you…” AgentQuery has recently expanded the website to include success stories, including successful queries, so it truly … Read on

Pamela Jane is the author of over thirty books from board books to memoir. She is also a writing coach, freelance writer, and public speaker. Learn more about her by booking a school visit, perusing her blog, or reading her memoir, An Incredible Talent for Existing: A Writer's Story.

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